Showing posts with label reggae. Show all posts
Showing posts with label reggae. Show all posts

20081009

Alton Ellis: 1944-2008

Alton Ellis: 1944-2008Alton Ellis: 1944-2008

Mr. Soul, Alton Ellis, passed away on the morning of October 9th. The world was given this treasure in 1944 when he was born in Trenchtown, Kingston, JA. His career spanned nearly five decades and his ever-lasting impression on the future of Jamaican music came in the mid- to late-sixties as the riddim-laden grooves filled with his soulful melodies permeated the upbeat vibrations of the ska era. The summer of 66 saw the explosion of Rocksteady in the Kingston scene and Alton ruled the dancehalls during this time as he cuts tunes for Studio One and Treasure Isle among others.

His musical longevity persisted for years and years and he enjoyed much-deserved praise from a new generation of listeners as Ska and Rocksteady made a revival in the late nineties.

20081008

Randy's 50th Anniversary

A brief intro into the history of Randy's record distribution started.



Randy's the Foundation of VP Records Celebrating 50 years.

This is a video series about the history Jamaican Music and Its cultivation at Randy's Records, the foundation of today's VP Records currently celebrating 50 years in Caribbean Music.

Founded in 1958 by Vincent and Patricia Chin, Randys was the first complete package - studio, distribution, sales and most importantly vibes. Producers and artists crowded Idlers Rest—a famous spot around the corner of Randys—to get a chance to record in the studio. Many legends today made their mark at this historic location.

Bob Marley & The Wailers recorded their ground-breaking album Catch A Fire and Peter Tosh voiced his first two solo albums Legalize It and Equal Rights at Randys Studio. According to reggae luminary Pat Kelly, Randys had the sound people want. We can call it the ghetto sound. The real roots sound.

From the very start, Randys linked itself to the popular yet controversial musical styles of the day particularly SKA, ROOTS and DUB REGGAE.

From its start to the early 60s Randy's featured the early politically motivated Ska tunes Independent Jamaica from Lord Creator and Malcolm X from the Skatalites, the Bob Marley & The Wailers cover of the Archies pop single Sugar Sugar and John And James by a youthful Toots & The Maytals displaying their spiritual and subtly subversive style. Also musical pioneers like the great trombonist Don Drummond on Machine Shop, organ player Jackie Mittoo on End Dust and the original sound system deejay Winston Count Machukie Cooper on Warfare.

The special significance of singers in the 1970s is reflected in songs like Dont Go by Horace Andy, Lonely Soldier by Gregory Isaacs, For The Love of You by John Holt, and Cheater from Dennis Brown. Randys critical role in the birth of reggae was re-confirmed with the release of Augustus Pablos Java that decade. This Clive Chin (son of Vincent Chin) production was an instant hit not to mention the 1972 Instrumental of the Year and title track to the first ever dub album, Java, Java, Java, Java. DJ I-Roys Hospital Trolley (recorded on the Java riddim), Peter Toshs You Cant Fool Me Again and Junior Byles King of Babylon are also must-listen recordings included on this extraordinary bicentennial release.

Sly Dunbar one half of the famed riddim twins Sly & Robbie sat in on many Randys Studio 17 sessions in those years. In this series of videos he describes how the Randys sound was one that sounds ten times better than the stuff being put out today. We are [now] trying to get back that sound but we cant get it back.

From ska to reggae, to dub to Jamaicas leading singers, Randys over its 50 years is a historic part of reggae culture from its beginnings in the 1960s to perhaps its most ingenious peak in the 1970s and then 80s.

This commemorative series puts these influential music-makers in their proper place, in the hands of reggae collectors and music fans everywhere with a complete package with Online Videos, and the entire series available on the DVD in Double disk CD/DVD album available with all music included from the videos. Respect to Randys every time

20080924

Shaggy Parrot and the Reggae Band

Shaggy Parrot and the Reggae BandMichael Robinson, Gleaner Writer
published: Wednesday | September 24, 2008

Grammy-award winning dancehall artiste Shaggy has got his feet wet in a brand new genre - children's literature. Shaggy Parrot and the Reggae Band is a book-and-CD set made for kids aged two to six years with a serious message about the environment.

Set in Ocho Rios, St Ann's Laughing Waters, the story follows a team of sea creatures and Shaggy Parrot as they form a reggae band to cheer up a waterfall. It seems the waterfall is upset because people have been polluting it, and Shaggy Parrot and friends come together to clean up and, essentially, whistle while they work.

Colourful illustrations by Trinidadian John Mendes feature local scenery and some of Jamaica's indigenous marine life. The CD, which boasts nine tracks by reggae's only diamond-selling artiste, contains portions of the story, with Shaggy, christened Orville Burrell, also reading for the title role. The music on the CD was created by Sean Paul's musical director, Rupert Bent III, Jana's brother, as well as members of Sean's Pauls' backing band, Badda Banz.

Teaching tool
Shaggy Parrot and the Reggae Band is the brainchild of Jana Bent, who was among the team of writers which included Kellie Magnus, Nicole Hoo Fatt, Rebecca Packer and Veronica Salter. Bent said she came up with the idea after reading a children's book introducing toddlers to jazz music. "My daughter really loved it," she said, and I realised we needed to do this for reggae. Once we were into the production we decided to go all the way with the educational aspect of it." The book covers several themes required by the Ministry of Education's syllabus, making it a valuable teaching tool as well.

Motivation
Magnus, creator of the Little Lion book series, said her motivation was a heartfelt desire to promote literacy at the early childhood level. "It was a great experience working with a team of Jamaican writers and musicians," said Magnus.

With a launch slated for November, the book will benefit two of Shaggy's favourite causes, St Andrew's Bustamante Hospital for Children and the Tatiana McIntosh Scholarship fund, which is based in Florida.

20080621

20080602

Stephen Marley - Iron Bars

damn he sounds like his pops

20080531

Garrison Hawk - Sweet Music

Recording artist Garrison Hawk. The video was shot on location in Kingston Jamaica and directed be Jay Will (Game Over). Also featuring legends Joe LickShot and King Jammy at Jammy's Studio.

20080527

Konshens - Rasta Imposter

Konshens representingKonshens Lashes Out Against Fake Rastas
By Kon-Vick
OutAroad.com Writer


“Dem a nuh Rasta - Dem a ‘Ras Hair,’
Talk this loud mi nuh fear”

Jamaica’s fast rising star, Konshens is in the spotlight again, and this time there is a bit of controversy surrounding same. The deejay who burst on the scene with the mega hit Winner (This Year Mi Affi Be Di Winna), has launched an assault on people who wrongfully associate themselves with Rastafarianism.

In some nail biting and rather witty lyrics Konshens chastises artistes that “natty up dem head”. Already there are words on the street that several Rastafarian individuals are pondering whether or not he (Konshens) is ‘throwing words’ at them.

Here are some of the lyrics that will have some artistes sweating:

“Mi si nuff a dem a natty up dem head fi get exposure,
But a real Rasta Man nuh run down riches like Dover,
Dem impersonating Rasta,
But mi Rasta friend dem seh bun up a Rasta imposter
Natty up dem head fi ketch a hype up,
Seh dem a rasta, but Rasta livity dem nah hoist up,
Wha’ kind a food that dem a bite up,
Dem seh dem a Ras, what kind of girl that dem a wife up”


According to Konshens, he was inspired to write the song Rasta Imposter after several persons approached him with the argument that he should become a Rastafarian as it was the easiest way to ‘buss’. “They were also of the opinion that I sounded like a Rastafarian on several of my tracks,” Konshens explained to OutAroad.com.

OutAroad.com took the time out to write the lyrics for this smashing single so that you, our readers, can get familiar with this hard-hitting track. You can also tune in to our media player at the top right to listen to the song.

Here goes the chorus:

But mi nah Ras fi sell nuh cd,
(and mi nah) - Ras fi guh pon tv,
(and mi nah) - Ras fi get nuh airplay
(no mi nah) - Ras fi get di payday
(so mi nah) - Ras fi sell nuh cd
(and mi nah) - Ras fi guh pon tv
Mi nah turn Rasta fi shot a Europe,
Renta dread fi move up.



the whole article and comments on OutaRoad.com

20080515

SumFest will go on

Despite Red Stripe not being on board as title sponsors this year, Reggae Sumfest is still on course as it has already signed several big acts to its line-up for the event that will take place in Montego Bay from July 13-19.

Some of the artistes include Beenie Man, Richie Spice, Anthony B, Vybz Kartel, Wayne Marshall, Etana, Tarrus Riley, Demarco and Mavado. Robert Russell, chairman of Summerfest Productions , says the production team is in negotiations with several other local and international acts.

"We hope to offer the usual top-class entertainment package with all the best entertainers locally and some special overseas acts," said Russell.

"We will still ensure the same level of state-of-the-art lighting, sound and stage production that have characterised Sumfest."

While the Red Stripe brand has pulled out as title sponsors for the event, it is still the liquor sponsor. He says there are two major companies vying for title sponsorship but the discussions have not been concluded. He says discussions might not be completed in time for this year as the event will take place in two months but commitments have been made for years to come.

In addition, Digicel, Ocean Spray and Air Jamaica, the Jamaica Tourist Board and VP Records have once again signed on as major sponsors of the event. Supreme Ventures has signed as a Silver sponsor, Red Bull a Gold sponsor, and Jamrock Magazine is a Platinum sponsor.

Russell was also keen to point out that sponsors play a big role but the production team, especially the directors, helps to make the festival 'the greatest reggae show on earth'.

Reggae Sumfest and Summerfest Productions won Concert of the Year and Promoter of the Year awards at the 27th Annual International Reggae and World Music Awards on May 4. Russell says the production team is proud of the achievements.

"I am very proud that we have received international recognition for a show that has been running since 1993. I want to thank the directors, artistes, musicians and security forces that put a lot of effort into putting on the show. Everybody worked hard to ensure that the festival is a success," he said.

Russell promises that the event will be a good one. It has been afforded the privilege of going beyond 2 a.m. because it has been designated as an national festival. This status, he says, might be the same for other events like Air Jamaica Jazz and Blues Festival and Jamaica Carnival.

"We have been designated as an national festival. That consideration is because of the amount of foreign visitors we attract. That is about 5,000 visitors and US$5 million in revenue. So we have been afforded the privilege of going later than 2 a.m. We will close the festival at the normal times," he said.

20080513

Gargamel speaks

Buju BantonGreetings, good people of the earth! I would like to take this opportunity to thank you for all the love and support over the years and for your continued support in the future.

By now most have already heard about the separation between myself and Penthouse Music Group. Let me assure you that it was one of mutual understanding, and that I sincerely wish Mr. Donovan Germain all the best. With much respect I say to Mr. Germain, thank you for the many years of service and for the eye-opening experience.

To the haters, hate on. To the well-wishers, we will be victorious because JAH LIVE. As for me personally, I am fine. Glad I now have the medium to communicate to my fans and friends all over the world.

Here at Gargamel we are cultivating a new awareness in the minds of music lovers everywhere. Over the past three years, I have been steadily building. The trials were many and the lessons arduous. However, it has made me much more informed and knowledgeable about this business of music. Learning how everything works behind the scenes is crucial in this age. I am proud to announce that the studio renovation is now complete, give God almighty the glory -- yet our works have just begun.

There are so much things to discuss and share with you but where to begin? I am of the belief that there is a certain force at work in this, our beloved island of Jamaica: a force working to further undermine us as a people who should know by now where we are coming from, and where we are going. Where is unity? Where is trust? Where is loyalty? Where is conscience?

How long will brothers be placed in the uncomfortable position of being the buffer between the rich and poor in this country, all in the name of security? The scale is not a balanced one when it comes to dealing with those they say have not, as opposed to those who have.

In Jamaica today we have a terrible problem with the guns, the gunman, the politicians, the dons, the deejays, the lesbian and gays, you name it. We are suffering a social decay yet no one, not a single one of our entertainers, have seen the need for a change in the lyrical content they are selling.

In times past, entertainers were such a vocal set that even church leaders would quote them during service. What happened? Have we all become followers now, instead of leaders for our people? No wonder these political snipers are getting away with blue murder. Everybody is afraid of what speaking out might bring.

I have no friends in high society. My friends are those I can identify with, those who have a heart conscience, those who see our country -- overrun by crooks and cut throats -- and are calling deep inside for their champions to restore their pride and dignity so we Jamaicans can once more hold our heads high and serve this great nation with our all. We have a responsibility. Let's pull together.

20080510

Sponsorship and Social Responsibility

Should Private and Public Sponsors demand a better Society?


Over the past weeks the Red Stripe saga has become a talking point in Jamaica and in Guyana the Government basically shutting down performances by artists whose lyrics are generally of a violent nature.

the following excerpt from Red Stripe blackmailing dancehall?
A word to everyone, though hardcore dancehall can not be stopped or tamed, it will be what the society needs it to be. When Jamaica becomes more civilised the sounds from hardcore dancehall will change too. Until then, it reflects an ugliness that is uncomfortable for some of us to hear and see - but it is quite real.
and this is from Guyana gone too far?
However, there are several issues with which to contend when one contemplates where the line should be drawn between artistry and the incitement of violence.
Now I believe that the Guyanese Government should have a say... but wouldnt it have been better to revise laws or simply enforce existing ones.

Monopoly NCN Radio Bans Bounty Killer & Mavado Songs
According to a report carried on livinguyana.blogspot.com the move follows the government banning the two Jamaican dancehall artistes from traveling to Guyana to perform or for any other purpose. On air presenters were informed of the move late yesterday afternoon.
We see it every year for Carnival... Litter laws, and the best one Lewd Dancing... all of this only leads to ANARCHY... and I believe that it has already started... especially in our Third World Region... no apologies...

Now the Artistes on warpath Second attack launched on Red Stripe
The artistes say they are now prepared to perform for free during at least one major event as long as there are no Red Stripe products being sold or consumed at the venue.
"We can all sit here an beat 'roun di bush, Diageo don't give a ... about violence in Jamaica, the real reason, personally, I think it has a lot to do with the gay-bashing lyrics and Red Stripe don't want to come out and say this is the legitimate reason why we are pulling out."
Now this is an auotpost I just complied some of the stories I saw...

One thing to note is that Red Stripe currently sponsor of Pardon the Interruption (PTI) on ESPN and this show is on everyday just before SportsCenter in the evening... major viewership...

RedStripe was once just a Jamaican brand then it became a Caribbean brand... Ive still never tasted one tho... they have now become an International Brand and are associated with Jamaica... becasuse they are Jamaican... this is just a move by a Corporate entity trying to distance themselves from controversy... remmeber what happened to A certain KONvict...

unless the dancehall artistes start singing Globally marketable and apparently acceptable song I dont think that RedStripe will back down... the artistes who host many a dance in Jamaica on a weekly basis could certainly put a dent in RedStripe's Jamaican profits but then the company may very well take those lackluster sales on home soil and carry it international...
 If on the other hand the artistes get total support at home and people walk-off the line in the factory... and also garner international support... which I doubt will happen in either case... then RedStripe will have to reevaluate its role...

I remember some years ago in Trinidad when Luciano tore down the banner of one of the Sponsors on a show... Craven A... I guess that it was they who actually paid for his performace on the show because they were made in Jamaica (at the time) and were trying to get into the Trinidad market... I doh know what happened to them...

in the end SumFest will still go on and this will not be the last time we hear of music being banned/regulated by Government or Private Sponsor...

20080506

20080502

Jamelody - Be Prepared Album

Love Crazy


Since You've been Away (Acoustic LIVE)

20080312

SOCA on iTunes

I decided to express my opinion on this after reading, commenting and visiting the related websites found within a post on Saucy's Trinidad Carnival Diary.

Now I am all for promoting Trinbagonian culture and content but not when the artistes don't do their part. What the writer of the email doesn't realize is that we (Trinidad & Tobago) are not players within this iTunes/Music industry. We have setup our own Music portals and should probably support them instead of supporting the iTunes Music service. Is there a problem with them... as far as I have seen they have properly grouped by Genre... and thats what the writer seeks... grouping by genre...

I just tried to log into the iTunes store and guess what... I can't... maybe the should allow people from T&T use their locally based international Credit Cards in the store.... instead I have to work around the system if i really want content from ITunes... or get it elsewhere...

I have used emusic before and only cancelled because I was getting most of my music from other sources.... I got Kitchener and Sparrow albums from there... and some other real old Kaiso albums too...

Why this need to see SOCA as a genre... the Mighty Sparrow was featured on Wyclef Jean's The Carnival but guess what it wasn't Calypso he was singing... it was some R&B/Soul vybzzzz...

The music of TNT is genius, you know what it takes to make not one but a few hit songs every year, year after year consistently that is what Calypsonians and Soca artists do - and this ability has to be respected. Damn even the Beatles stop making music after a few years.


HITS... where in the Caribbean for Carnival... yeah tru... they get played in all the world's Carnivals for two days and many steal melodic structure from the Top40 on a regular basis... if they dont borrow their own riddim from before... sorry if i seem synical... but if we (Trinbagonians) and the artists dont mind this... and call it our culture then we deserve the recognition that the world affords us...

I have always marvelled at this clip from Machel Montano HD...



(edit while watching the T&T Sports Person of the Year Awards)
the background music of the video production features dancehall and hip-hop... genres that were born out of calypso... what a laugh... did First Citizens approve the audio used in these videos? did they consider that it was an award ceremony for Trinbagos best? and we want iTunes to give us a genre... sheeeeeeet

20071029

Ernie Smith imagines a 'Duppy Gunman'

I've always LOVED this song and its great to hear the inspiration from the artist himself.

Ernie Smith imagines a 'Duppy Gunman'

published: Sunday | October 28, 2007
Mel Cooke, Freelance Writer
If ever there was a case of a songwriter starting a song with the opposite of the real life situation which inspired it, it is Ernie Smith and Duppy Gunman.

Written one Saturday night in 1974, recorded the following Monday at Federal Studios, released that same mid-week and soaring to the top of the charts ("in those days everything I did went to number one except Power and The Glory. Michael banned that," Smith told The Sunday Gleaner), Duppy Gunman tells the tale of a romantic liaison that could have been. It opens:

I an I man forward
Pon a different scene
I an I man collie weed
I an I man queen
Everything was irie
Getting in the groove
We jus' a come dung to movement
When someone sey don't move

However, while there was a 'queen', there was no getting down to movements.
"I had just played a gig. In those days I had a friend who used to help me lift the equipment. Coming home from the gig I got a girl to go home with. I dropped him home. Me and the girl going on a liaison. I got the feeling like my friend is sitting there," Smith said.

Violence and duppy
Ernie Smith in 1973, one year before 'Duppy Gunman' was released
The friend had been in the back of the VW van he was driving.
"I said 'It feels like Robbie is still sitting there. I said 'It must be a duppy'. Then I thought about the violence and I said 'or a gunman'. I said 'It is a song'," a laughing Ernie Smith told The Sunday Gleaner.
Hence the chorus:
It mus be a duppy or a gunman
I man no fin' out yet
I an I did so frighten
All de daughter name I feget

He may or may not have forgotten the 'daughter's' name by now, but he did forget whatever intentions were at hand before the song came. "I never bothered to go home with the girl. I went to my real home and wrote the song. She was very upset," he said.

There is some similarity to that real life anger in the fictional musical tale, as Smith sings "The nex' day de daughter ask me, what happen to yu las' night, jus' when yu ready fi work de show, yu ketch stage fright".

And one line that was definitely taken from something that really happened was when Smith sings "One ting me know fe certain, spread it round the town, it no mek no no sense yu run before yu foot touch the ground".

"There was a guy who described sitting in his living room and watching a thief in his pear tree. All he said was 'hi sah' and the man started running in mid-air. When the man hit the ground his feet were like a car burning rubber. That is where that line came from," Smith said. He was told that story a couple weeks before the song was written.

Sometimes Smith changes the name of the speedster recorded as the point of reference for fleetness of foot in 1974 ("Quarrie was a bway to I man las' night, him coulden falla me") to Asafa Powell and he says no other outstanding Jamaican sprinters have been used in between. And on occasion he adjusts the chorus and sings "I an I did so frighten all me underwear I feget". "Sometimes I sing it like that if there are not too many children around," he said.

The distinctive trombone featured on Duppy Gunman is the work of Trinidadian Jerome Francique and the Now Generation Band supplied the music.

Smith laughs as he says he hopes non-Jamaicans who jam to the song understand the lyrics and adds that "A lot of non-Jamaicans who are into reggae understand the song".

And a song that was "an instant hit" has been a lasting one as well. "These days when I do that song anywhere I ask the audience to join in and sing the chorus. They know every word," Smith said.

20070604

VC - Roughneck

20070330

Reality from Studio 53

The first riddim release from Studio 53 for 2007 is REALITY featuring 10 cuts:

Studio 53 Reality riddim 2007

  1. King David - Answer To Jah (3:10)
  2. Lady Meeka - Heart Of A Lion (3:25)
  3. Zebulun - Mama (3:25)
  4. Daniel Bless - Keep I Safe (4:13)
  5. Khari Kill - Smoking Around (4:21)
  6. Jah Bami - These Words (3:25)
  7. Mr. King - Gangsters Paradise (3:25)
  8. Firestone - Trod It (3:53)
  9. Levi Myaz - They Only Talk (3:53)
  10. Jungle - Everywhere I Go (3:53)


There are also a couple of CDS' (CD Singles) released that are voiced on the REALITY:
  • Gounz Man - Praises (3:07)
  • Jah Legend - The Way (3:12)

Studio 53 did some riddim promotion on Synergy TV...

20070326

King David - LIFE

The song that is probably going to be the best reggae anthem out of Trinidad & Tobago for 2007.

King David has created a beautiful track on an equally exceptional riddim by Studio 53.

Poetry in motion. Very VIVID images are set in one's mind when they hear the song. This is REAL REGGAE.

Kwesi... Jabari... Angelo... please don't water down this riddim with anymore tracks. Let King David have it all to himself.

Ministry Of Social Development, or anyone else for that matter, fork out the dinero to make a music video. The UN could use this too.

The song is a tragic reality of what everday life is for somepeople. To me it is a continuation to a previous offering "Live Here."

www.myspace.com/kingdavidmusicking